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At LiquidSoulRadio.com, we spotlight some of the newest talents of Neo-Soul, R&B, Hip-Hop and Jazz. Our Spotlight Reviews are independent opinions.


Feel Our Flow....
Here is the LiquidSoulRadio.com
rating system:
Drops
Description
Simply horrible!!!
Nice attempt...
Feeling the flow
Quality music
A must have CD!!!
Alicia Keys
Res
Bilal
YahZarah
Ken Ford
Unwrapped Vol.1
Blu Cantrell
Ursula Rucker
Tonex
Sandra St. Victor
Jaguar Wright
Remy Shand
Musiq
Mike Phillips
Raphael Saadiq
Me'Shell N'Degeocello
Joi





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Who's In The Spotlight....
Gemini: Both Sides
Sandra St. Victor
   

LiquidSoulRadio.com's Exclusive Interview with Sandra St. Victor
By Nick Nelson, Music Director

Who is Sandra St. Victor?

To some, she is the front woman for Family Stand, a popular message group that gained notoriety in the late 80's with such classics as "Ghetto Heaven" and "In Summer I Fall".

To others, she is the Mack Diva that saved the world, (as the title of her acclaimed 1996 album indicates) who when a fallout with Warner Brothers left her unsigned, started her own label and is now a spokeswoman for independent artists everywhere.

To LSR.com, she is a successful entrepreneur, whose latest release Gemini: Both Sides has officially put her back on the map (as if she ever fell off) and has introduced a whole new audience to the sites and sounds of her musical wizardry.

Dallas Born, Brooklyn Bound

Sandra St. Victor started her musical journey at an early age. Born and raised in Dallas, Texas as an adopted child, St. Victor grew up in a household where music was virtually non-existent. It was in this house, at the tender age of 8 years old, she made the decision to pursue her passion and become a message singer.

"There was no music in my household," said St. Victor, "but even as a kid I felt music and knew that that was something I wanted to do. "

This gravitation to music eventually led her to The Arts Magnet High School for The Performing Arts (the same school attended by such greats as Roy Hargrove and Erykah Badu). While at Arts Magnet, St. Victor studied opera and eventually found herself becoming frustrated with the art due to its creative limitations.

"With opera you're really not allowed to create. I knew then that I had to express more than just 200 year old arias but what I was feeling."

Sandra eventually abandoned opera and spent the remainder of her time at The Arts Magnet High School studying Jazz. After Sandra completed her studies, she went on to attend Kansas University and Bishop College. St. Victor obtained music scholarships to both schools and attended each for a year. While attending Bishop College, she joined "Lassez-Faire," a local band that performed in and around the Fort Worth Texas area. The band eventually migrated from Ft. Worth to Port Author, Texas. It was there Sandra met her "musical daddy".

"Port Author, Texas is where we met Roy (Ayers). We played at the club on Friday night and he had a gig on that Saturday night. Because he was using our equipment, we got a chance to hang out with him. The whole time he was there, he kept on saying how we needed to come with him to New York. He eventually talked me into to it and two weeks later we were off. "

Sandra St. Victor on Roy Ayers

If there were one person that has made a significant impact on Sandra St. Victor's musical development, it would be Roy Ayers. Known for such hits as "Searching" and "Everybody Loves The Sunshine," Ayers influenced St. Victor early in her career long before the two even met.

"Roy was one of my major influences as far as writing about what I really thought and what I really felt without being afraid of being too deep. You know, just doing what you feel….There's a whole lot going on inside of him and it always comes out in his music and that's what I wanted to portray."

According to St. Victor, the lessons she learned from Ayers were life changing and went well beyond the music business.

"When I got on with Roy, I was a teenager so I learned a lot about life. Roy was my first tour….It was a hell of a collage because I was the only girl touring with all these cats from New York, and I just grew up really fast in the professional music world by watching him handle his business."

When asked what the main lesson was that she feels she took away from Roy, St. Victor answered, without hesitation, "independence."

"The main thing that I learned from Roy was independence. The funny thing is that I didn't know that I learned so much from him in regards to being an independent artist until now. "

Sandra Finds Independence

With the ugly truth about the recording industry gaining more and more exposure, artists are demanding more control over their music and career. St. Victor is no exception. After a bitter dispute with her label in 1996 left her unsigned, St. Victor had the unfortunate opportunity to experience first hand the trials and tribulations the industry can present.

"The artist is almost like a child so I had to hug, hold and console her back to faith in herself because to not do that and try to forge ahead would have been frivolous to me. I had to let the artist swallow "Mack Diva Saves The World" because I'm artist; and I'm not just writing throw-aways for radio. It hurts deeply when they are thrown against the wall like a pot of spaghetti to see which one sticks. Once I got over that, I had to bring this "entrepronegress" her back bone, focus and plan….It was a matter of mental fortitude and patience with my own inner healing."

Although scary at first, St. Victor has no regrets about her choice to proceed with her career as an independent artist. To St. Victor, life as an independent artist is much more rewarding.

"There are new rules on this side of the ball park and I love these rules. On this side, someone looking in Sound Scan and not seeing my name on the charts does not mean I'm folding. I'm doing much better here then I would have faired doing the same thing selling the same amount of records on Warner Brothers. If I sold 10,000 records on Warner Brothers, they're looking at my contract trying to figure out a way to let me go. Now, 10,000 records this way? What !! Please, we're dancing in the streets naked."

Soul, Neo-soul or Just Good Music"

This new resurgence music inspired by the 60's and 70's has been called everything from Neo-soul to Retro, to R&B. How does St. Victor classify this music that has gained such popularity?

"It's just good ol' soul music or taken literally, music from the soul. Why call it neo-soul, it's not another genre. Look at it as reaching back to take some of the passion and sincerity from the 60's and 70's. That's not neo-soul, we're just doing in our time what they did in their time. We're just creating soul music, music from the heart and from the spirit.

Give the People What They Want

Independent artists are becoming more and more common. Even successful mainstream artists such as Prince have decided to take the plunge and take creative and financial control over their careers. This move to independence has led to an increase in the overall quality of music and has not gone unnoticed by the public.

"The public is making itself heard that they want something different, something with some substance. The industry is cannibalistic signing what's happened last year. There is certain energy right now and people are leaning towards something that means a little more. The energy that is happening right now leans more towards a Jill Scott. This whole movement has me really excited because what I've been doing on record since 1987 has finally become the 'in' thing."

Visit Sandra St. Victor at http://www.sandrastvictor.com


Artist Audio Samples:

Hear a clip Childs Gotta Gun
Real Audio (2:00)

Hear a clip
Dizzy ft. Roy Ayers & Donald Byrd

Real Audio (2:00)

Hear a clip Move Me
Real Audio (2:00)

Hear a clip They're Cool
Real Audio (2:00)

Hear a clip Holding Out
Real Audio (7:09)

Hear a clip Malasses Rain
Real Audio (2:00)

Artist Video Samples:

Watch a clip They Won't Go When I Go
Live at Joe's Pub NYC

Real Audio (5:26)

Watch a clip Sandra St. Victor Gallery Video
Real Audio (5:19)

Watch a clip Rise Up
Real Audio (4:26)